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Fair Game, by Erika Tamar
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A sordid incident on a humid spring afternoon in the affluent suburb of Shorehaven leads to accusations that a group of popular high-school athletes sexually assaulted a retarded teenage girl. But was it gang rape, or was the girl a willing participant? “Meticulously rendered and narrated in speedy, staccato language, this novel is a must-read for any teen who has considered the implications of foul play.”--Publishers Weekly
- Sales Rank: #5144989 in Books
- Published on: 1993-10-31
- Original language: English
- Number of items: 1
- Dimensions: .68" h x 4.22" w x 6.90" l,
- Binding: Mass Market Paperback
- 272 pages
From Publishers Weekly
With frankness, insight and imagination, Tamar translates a headline-making New Jersey crime into a thoughtful and gripping novel about a mildly retarded girl in a Long Island community who is gang-raped and otherwise molested by a group of high school athletes, all-American boys with bright futures. Three diverse yet equally credible characters alternate as narrators: Cara Snowden, the boys' victim, a special-ed student who wants nothing more than to be a "regular girl"; Laura Jean Kettering, girlfriend of one of the rapists, blinded by loyalty and unable to acknowledge the horrific truth until it almost literally stares her in the face; and Julio "Joe" Lopez, an athlete who refuses to take part in the assault on Cara. Tamar is careful not to tell the story in black and white--although the assailants are squarely blamed, she emphasizes the characters' confusion, allowing the reader to see the interplay of Cara's limitations and the boys' rationalizations of their own behavior. Meticulously rendered and narrated in speedy, staccato language, this novel is a must-read for any teen who has considered the implications of foul play. Ages 14-up.
Copyright 1993 Reed Business Information, Inc.
From School Library Journal
Grade 9-12-Prepare for a trip into the suburban American heart of darkness. The horrifying sexual assault of a mildly retarded teenage girl by a group of popular high school athletes who have known her since childhood polarizes the residents of an affluent community and gains national-media coverage. Told from three varying perspectives, a disturbing portrait emerges of unconscionable violence. Laura Jean Kettering, girlfriend of one of the accused, defends her boyfriend and berates the victim. Childlike and trusting Cara performs what ever acts the boys ask of her and is unable to imagine that anyone would exploit her. Joe Lopez is a Hispanic American from a low-income family; his athletic skill gives him entry into the inner circle, but he remains an outsider. He witnesses the beginning of Cara's degradation and leaves the scene, unwilling to participate in the vile events that he knows are about to happen. The novel ends with Laura Jean's break-up with Scott, and with the names of the boys involved in the incident missing from the roster of graduates. Unlike the figures in Norma Fox Mazer's seamlessly written, well-controlled Out of Control (Morrow, 1993), Tamar's participants never assume responsibility for their actions. The narrative is choppy and disjointed, the characters uneven and often one-dimensional, and the ending anticlimactic. The story, based on the much-publicized 1989 Glen Ridge, New Jersey, case, doesn't work as literature.
Alice Casey Smith, Lakewood Public Library, NJ
Copyright 1993 Reed Business Information, Inc.
From Booklist
Gr. 9-12. Although her previous YA books demonstrate a good sense of contemporary problems, Tamar is not an author known for using controversial subject matter or highly charged language in her novels--as is, for example, Chris Crutcher. Consequently, her latest book is a real surprise. Certain to raise eyebrows not only among some adults, but also among teenagers, it is a shocking story that draws on the circumstances of a highly publicized, real-life tragedy--the sexual assault of a mentally disabled girl by a group of high-school athletes. In the hands of a weaker writer, this story might have degenerated into sick melodrama. Although Tamar teeters very close to the edge of exploitation at times, she somehow manages to keep control of both her characters and her plot. The horror she spins out is riveting. Like her 1991 novel Out of Control, about a rock band, Fair Game evolves through alternating perspectives--in this case, the voices of three strongly realized teenage characters: Cara, the victim; Laura Jean, girlfriend of one of the high-school jocks involved in the assault; and Joe (Julio) Lopez, a jock who ends up leaving the rape scene without participating directly in the crime. With the exception of Joe, the token minority from the "other" side of town, the traditional jock stereotype prevails. Laura Jean's boyfriend, Scott, and his buddies are macho, white, privileged, and sexist. Scott's convinced that women are either "goddesses or doormats," and he doesn't hesitate to share his philosophy. Joe is more sensitive than Scott and the other jocks, as scenes with his little sister prove, but he's certainly not above reproach. In fact, he escapes involvement in the rape not because he's unexcited by the situation--pretty Cara is an innocent willing to do anything the boys ask--and not because of any sense of moral outrage (at one point he calls Cara "an asshole"), but because of an affront to his Latino background: "Go for it Jos{‚}e," someone tells him. "Here's your shot at [being] an American." Obviously sex is not a minor theme in this book, and what is described is presented with an explicitness rare in YA novels. The sex explicitly depicted here is not the kind between kids who care for each other, as Judy Blume wrote about first in Forever. Rather what's described is sex grown out of purposeful misuse of power, a horrifying violation, and Joe's conversation with one of the boys who participated in Cara's assault makes the reader privy to it all--the gang rape, the violation with the broom handle. Cara's own description of the events, told in a childlike voice Tamar has carefully cultivated for her throughout the novel, adds the element of personal terror: "Faces above me. Faces everywhere. Faces staring down. . . ." Tamar doesn't shy away from the idea that there's excitement in the violence and in the anonymity that comes with acting as part of a group. And, like Rubin in Emily Good as Gold , which is written for a somewhat younger audience, she deals forthrightly with the issue of sexuality of the mentally disabled. Cara, who's not severely disabled and is physically well-developed, finds pleasure in intimacy with the boys because it feels good, not just because she thinks it makes her "friends with the popular guys. . . ." But the rape that eventually occurs is another matter, and Cara, even in all her desire to please, realizes "they hurt me. I thought they were my friends."The opposite of easily victimized Cara is feisty, loyal Laura Jean, the real star of the story. Blinded at first by her love for Scott, she's the only one of the young people who recognizes the horrible truth and moral reprehensibility of what occurred: that "people can complacently do evil when they dehumanize the `other.'" And she's the only young person involved who really understands that Cara's inability to say "no" doesn't make her "fair game" any more that it makes Laura Jean a "princess" and Cara a "doormat." Tamar chose to show the "evil" in a relentlessly explicit way. While she might have laid her message down more subtly, it would certainly not have made as strong an impact, especially among readers for whom grocery store tabloids and violence on television and in films have become routine. Stephanie Zvirin
Most helpful customer reviews
1 of 1 people found the following review helpful.
Hard to Read
By A. Luciano
The accusation is horrifying--a group of high-school athletes in a small suburban town gang-raped a mentally retarded high-school girl. The athletes, always considered a good group of guys by those in town, deny that they did anything wrong.
Laura Jean, the girlfriend of one of the leaders, is a solid defender of the guys. She can't believe that her boyfriend, Scott, would ever rape any girl, and she is furious when the media won't let go of the story. But as she finds out more information, will she still be so sure her boyfriend is an angel?
Joe, an athlete and friend of the accused guys, was there the day the alleged rape took place, but he left the house before it happened. He struggles with his own involvement, trying to distance himself from his friends while at the same time trying to decide if he should feel any guilt about what happened.
Cara, the alleged victim, desperately wants to be liked. When the athlete boys start paying attention to her, she thinks it's because they are her friends, and even when she doesn't understand what is going on and what they are saying, she is willing to do anything in order to be included in their popular group.
Is it rape if one of the participants has no idea what is going on? Did Cara have the mental capacity to consent to sex?
I liked that this story was told from three different points of view; I felt like I had a much more well-rounded view of the characters and what actually happened. This was an unflinching story of the cruelty of teenagers, especially teenagers in groups. This made it very hard to read in parts, but it also forced the reader to think carefully about what had happened. It seems like this same story could have happened anywhere. The character of Laura Jean was incredibly shallow and stupid, though. She refused to see what was obvious, and she stood by her boyfriend even when it became obvious he was a sleaze. It was hard to believe that any girl would be that pathetic.
1 of 1 people found the following review helpful.
An intensely realistic and interesting novel!
By Alexis Kapanek
Faire game demonstrates a realistic down-to-earth and yet scary view of highschool. As most people know highschool can be a terrifing expirience and this novel shows the extent of this. A mildy retarded girl longs to belong in a group of popular kids and goes to many lenghts to achieve that. Until one day she follows the boys around and as the boys already know,she will do many things to be accepted and they decide to take advantage of this. I dont want to give away what happens but the varied vew points provide an intense and detailed look at the feelings of the girl that was taken advantage of, a girlfriend to one of the boys involved and a friend to all of the boys. This book is harsh and shocking although Tamar is a great writer and can really show the terrible side of highschool. Not being able to put it down for 3 days straight I agree that this book deserves 5 stars!
0 of 0 people found the following review helpful.
Erika, Erika , Erika
By A Customer
Ok, this was a good book. I was really disturbed with Cara. It just shows how wanted a young mentally challenger teen can be. The 'jocks' sickened me .... at one point I liked Scott I thought he was sweet to Laura Jean (and that is one of the things I liked about this book how Erika twisted with his image) it just shows how much a minority can effect everyone. Joe, I love him, he is just great. He stuck up for himself (what he believed in) and was descent . Laura Jean, geez, after she learned what had happened she still helped Scott? Sick, he should have gotten what he deserved. This is a very controversial issue about rape and at some points I favoured with the jocks and others with Cara.....she did incourage them but still they did take advantage of her...a fair piece of work not like I am one to judge but that is my personal opinion on this novel.
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