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On Being Ill, by Virginia Woolf
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In this poignant and humorous work, Virginia Woolf observes that though illness is part of every human being’s experience, it has never been the subject of literature—like the more acceptable subjects of war and love. We cannot quote Shakespeare to describe a headache. We must, Woolf says, invent language to describe pain. And though illness enhances our perceptions, she observes that it reduces self-consciousness; it is "the great confessional." Woolf discusses the cultural taboos associated with illness and explores how illness changes the way we read. Poems clarify and astonish, Shakespeare exudes new brilliance, and so does melodramatic fiction!
On Being Ill was published as an individual volume by Hogarth Press in 1930. While other Woolf essays, such as A Room of One’s Own and Three Guineas, were first published by Hogarth as individual volumes and have since been widely available, On Being Ill has been overlooked. The Paris Press edition features original cover art by Woolf’s sister, the painter Vanessa Bell. Hermione Lee’s Introduction discusses this extraordinary work, and explores Woolf’s revelations about poetry, language, and illness.
- Sales Rank: #1004133 in Books
- Published on: 2002-10-01
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .30" w x 5.20" l, .50 pounds
- Binding: Hardcover
- 64 pages
From The New Yorker
The first sentence of this essay, which was originally published in T. S. Eliot's New Criterion, in 1926, includes references to both the consolations of angels and the indignities of the dentist's chair, and this almost gleeful waywardness is characteristic of what's to come. By turns lyrical, self-mocking, and outlandish, Woolf's meditation on the perils and privileges of the sickbed lampoons the loneliness that makes one "glad of a kick from a housemaid" and extolls the merits of bad literature for the unwell. As Hermione Lee points out in her excellent introduction, the author only hints here at the mental and physical illnesses that plagued her throughout her life, but one's knowledge of them gives the references to "waters of annihilation" and "deserts of the soul" an added resonance. And yet the consolations of creation are also considered. When Woolf imagines beauty in a frozen-over garden, even after the death of the sun—"There, thrusting its head up undaunted in the starlight, the rose will flower, the crocus will burn"—it seems less a triumph of nature than of art.
Copyright � 2005 The New Yorker
From Booklist
Woolf's essays, most famously A Room of One's Own, have been as liberating and nourishing as a freshening wind or drought-ending rain, and so the resurrection of this forgotten work on illness is a boon indeed. Written between two of Woolf's greatest novels, Mrs. Dalloway and To the Lighthouse, this is Woolf at her spangled best. Seemingly a cascade of gossamer thoughts, her prose is in fact as tightly knit, strongly patterned, impervious, and purposeful as a fisherman's sweater. Woolf wonders why illness, which is as much a part of life as love and greed, is not a common theme in literature, then reveals its import in lyrical yet ironic descriptions of illness' slow-motion parallel world, where the afflicted have time to watch the sky or carefully observe a rose. Illness is an altered state, says Woolf, who suffered from myriad chronic conditions, one that grants significant revelations. Insightfully and eloquently introduced by renowned Woolf biographer Hermione Lee, this scintillating and important addition to the Woolf canon is graced by Vanessa Bell's cover for the 1930 Hogarth Press edition. Donna Seaman
Copyright � American Library Association. All rights reserved
Review
“The essay has the virtue of suggesting an origin for [Virginia Woolf’s] impassioned, circumnavigatory style: her racing, feverish mind.” THE NEW YORK TIMES BOOK REVIEW
“I’d assign my students to read, ten times daily, the first sentence of Virginia Woolf’s brilliant and beautiful essay On Being Ill – until they learned to appreciate the full potential, the dazzling glory, and the clarity of the complex sentence…. [D]elicate but powerful… an effecting, resonant recapitulation and illustration of the inadequacy and superfluity of language in our efforts to describe human suffering.” Francine Prose, BOOK FORUM
“A most unusual and long-neglected reverie on illness, language and poetry – reprinted by the sterling Paris Press…. Woolf lets her consciousness roam over the unpredictable terrain of sickness – the sick body, the sick mind – and how difficult it is for us to find words to describe this altered state. This is a brilliant and odd book, charged with restrained emotion and sudden humor.” LOS ANGELES TIMES BOOK REVIEW
“Examining her own familiarity with illness, Woolf undertakes a rigorous, compassionate, and droll investigation of how illness shapes the identity of a sick patient, particularly the invalid, not only affecting his or her perceptions of the world but also awakening the helplessness of being unable to convey those perceptions, or the effects of illness, to other. […] Because of its enduring relevance, On Being Ill is a necessary and compelling read. The slender and striking hardbound edition from Paris Press gives an old text new life.” YALE JOURNAL FOR HUMANITIES IN MEDICINE
“ ‘On Being Ill’ is one of those peculiarly fascinating essays that Woolf wrote which defy categorization: part mediation, part autobiography and part critical analysis; it refuses to be pigeon-holed. […] I have no hesitation in recommending this new edition…. Paris Press is a non-profit organization and is to be congratulated on this splendid publication. If you do not already have this essay in your collection, this is a must.” VIRGINIA WOOLF BULLETIN
“This new and beautiful reprinting by Paris Press, a small nonprofit house in Massachusetts, replicates design elements of the Hogarth edition, including Vanessa Bell’s cover art. It also contains a superb introduction by literary scholar and biographer Hermione Lee, who considers ‘On Being Ill’ one of Woolf’s ‘most daring, strange, and original essays.’ ” JOURNAL OF CANADIAN MEDICAL ASSOCIATION
Most helpful customer reviews
33 of 34 people found the following review helpful.
MUST READ
By tsipi keller
On Being Ill is a small masterpiece. This is a unique book--compassionate, intelligent, affirming, and comforting, both for the "healthy" among us, and those who have experienced illness. This is Woolf at her best: brilliant, daring, probing, and Hermione Lee's Introduction is a gem.
Also, for those of us who care about design, the book is a beauty, a work of art in itself.
Put this book among those most dear to you!
22 of 27 people found the following review helpful.
A precious gift to readers
By A Customer
From its magnificent cover, to its brilliant and sensitive insights into the psychology of illness--being ill, being near someone who is ill, anticipating being ill or well again--this book is a jewel. I love the way it feels in my hands. I love the way my eyes roam over the pages. I love the way it feels beneath my pillow. I've given it to friends and they have given it to their friends. And I am so pleased that Paris Press--"beautiful and daring feminist books"--has reprinted it as Woolf and Vanessa Bell intended. Precious!
1 of 1 people found the following review helpful.
an odd but interesting read on Ms Woffe's illness. ...
By Sherry Marders
an odd but interesting read on Ms Woffe's illness . Her description of the sensations of illness and the results are fascinating. Her mother's notes on caring for the ill are thought provoking and very practical.
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